Tag Archives: Rolling Stone

Deep Purple – Circular Magazine

5 Comments
blackmorehughes

Deep Purple guitarist Ritchie Blackmore and bass player Glenn Hughes- Houston Astrodome in August 1974. Courtesy of CNN

Here’s new addition to the Journalism archives. It’s Cameron’s interview with the always quotable, Ritchie Blackmore of Deep Purple. This Q & A was done for Circular Magazine’s November, 1974 issue. Cameron also spoke with Ritchie on related (and different) topics during the same time period for the following publications:

A Cynic’s View of Deep Purple

The additions of singer David Coverdale and bassist Glenn Hughes, Burn, the well-publicized American tour on Starship One, the California Jam . . . It seems like the last Deep Purple barn-storming ended just a couple weeks ago. Yet those prolific rogues are assaulting Fall with another burst of activity. A strong new LP, characteristically titled Stormbringer, has just been released. An international tour is already underway. Suffice to say Purple is back for more pillage with scarcely a moment’s rest. 

Read the rest of this post

Filed under News
Mar 1, 2014

Elton John: My Life in 20 Songs

11 Comments
eltonjohnterryoneill

Courtesy of Terry O’Neill – Getty Images

Cameron explores 20 songs with Elton John that encapsulate his legendary career in this Rolling Stone article from this past October.

Elton John: My Life in 20 Songs

Cameron Crowe explores Elton’s journey from Reginald Dwight to technicolored pop sensation to rehab and back

“You don’t mind if I play it loud, do you?”

It’s morning in Las Vegas, and sunlight fills the condo that serves as Elton John’s home during his latest run of shows at Caesars Palace, part of the residency known as “The Million Dollar Piano.” Wearing a white terry-cloth robe, he moves to the stereo system like an athlete, arms swinging crisply at his sides. Soon, he’s locked and loaded his latest album, The Diving Board. Many who’ve just spent the past year and a half working on arecording might then leave the room, allowing the listener his own experience. Not Elton John. He sits down on a small sofa in front of the speakers, closes his eyes and listens along with you. And yes, it’s loud.

Read the rest of this post

Filed under News
Jan 22, 2014

Stephen Stills: Captain Manyhands

8 Comments
Courtesy of Henry Diltz.

Courtesy of Henry Diltz.

Happy New Year everyone Today marks singer/songwriter and guitarist extraordinaire Stephen Stills’ 69th birthday. Cameron has interviewed and profiled Stephen quite a few times over the years with Rolling Stone, Crawdaddy and Creem magazines. Both as a solo artist and as part of Crosby, Stills, Nash (and Young). Check them out below:

Filed under News
Jan 3, 2014

Archives: Boston Takes Over…

4 Comments
boston

Photo by Michael Ochs Archives, Getty Images

We’ve got a brand new Journalism addition to the site today as Cameron profiles the rock group Boston in this lengthy interview for Rolling Stone.  Boston was on top of the world and dominating the charts and sales, but feeling the sting of being a critical after thought. Topics include the bands history and the pressure on founder/leader/perfectionist Tom Scholtz to deliver their sophomore album…

Boston: The Band From the Platinum Basement

THE PHONE RANG AT SIX IN THE morning, early in 1975.

Twenty-eight-year-old recordman Paul Ahern grumbled into the receiver: “Who the fuck is this? This better be good!’ “It’s McKenzie. You gotta hear this, PA….”

As employees in Warner-Elektra-Atlantic’s regional office several years earlier, Charlie McKenzie and Paul Ahern were the young lions of Boston-area promotion. McKenzie had the ear, Ahern the rap. They became buddies with all the jocks and, one golden month in 1972, broke Yes and the J. Geils Band and placed thirteen company singles and album cuts on the Top Thirty playlist of Bostons WRKO. They had dreamed of finding the band that would take them off the street and make them “the idle rich,” but their era passed. Ahern moved to L.A. for a better job with Asylum Records. McKenzie left WEA but continued to work for other record companies in Boston. And he hung on to the dream…. You gotta hear this,” he was saying that early morning” in ’75. “Local guy, Tom Scholz … the group has no name. The whole tape is like this!”

Read the rest of this post

Filed under News
Nov 25, 2013

Archives: How I Learned About Sex

1 Comment
garylewis

Gary Lewis and the Playboys

Cameron shares some personal stories on how he learned about sex for the October, 1975 issue of Rolling Stone. You’ll recognized a few of these anecdotes as they made their way into Almost Famous.

How I Learned About Sex

About What?

Read the rest of this post

Filed under News
Oct 21, 2013

Jackson Browne: Happy Birthday

0 Comments
Jackson Browne

(Photo by RB/Redferns)

Jackson Browne turns 65 today and we thought we’d look back at some of his collaborations with Cameron. First up is the LA. Times interview from early 1974, followed by the more in-depth Rolling Stone cover story from May, 1974.  Lastly, there’s the Running on Empty liner notes from the remastered version that was released in November, 2005. Enjoy!

 

 

Filed under News
Oct 9, 2013

Rolling Stone’s 25 Greatest Soundtracks

1 Comment

singlessoundtrackfront

Rolling Stone recently shared their list of the Top 25 Greatest Soundtracks of All Time. These lists are always fun to scrutinize. Singles did make the cut at #20, along with a big helping of The Beatles. Here’s the entire Top 25.

Read the rest of this post

Filed under News
Oct 1, 2013

Archives: My Number 1 – Pet Sounds

1 Comment

petsounds

Cameron shared his #1 Album of All Time in the December 2003 issue of Rolling Stone. BTW, Cameron loves the mono and the stereo version as long as he gets to listen…

My Number One – Pet Sounds – The Beach Boys

I was thirteen, and I wanted to buy a Jackson 5 cassette. The knowing geek behind the counter shook his head and advised me to get Pet Soundsinstead. Desperate for his cool-guy validation, I bought it. It sounded weird, introverted, not that melodic. And what about that cover? Odd-looking guys dressed like Elizabethan-period accountants feeding animals at the zoo? I thought the album sucked and I stashed it in a drawer. Within a year, Linda Alvarado (not her real name) savagely broke my heart. For some fateful reason, I gave Pet Sounds another chance. Suddenly, music was more than just confection. Those strange guys feeding animals at the zoo understood; even the music sounded like I felt. When you find songs so personal that they feel like someone’s been reading your diary, you tend to study the album credits to find out who the hell wrote this stuff. And that leads you to the heartbreaking genius of Brian Wilson. Pet Sounds is the high-water mark of songwriting and production so meticulously rendered that you ache hearing these songs; they’re filled with secret cries for help disguised in baroque and candy-coated harmonies, the sound of Brian Wilson’s universe coming together and falling apart. The album was a flop in its day, unappreciated in a world addicted to Wilson’s Beach Boys hits. Just three years ago, it finally went platinum. For me, Pet Sounds is a souvenir, a masterwork, an underdog story and a record that takes you gently by the lapels and says, “Here’s what it feels like to be alive.”

Courtesy of Rolling Stone #937 – Cameron Crowe – December 11, 2003

Filed under News
Sep 7, 2013

  • Vanilla Sky- Netflix - Now!
  • Say Anything...- Netflix - Now!
  • PJ20 - Netflix - Now!
  • Vanilla Sky Blu-ray -10/14/2014
  • Untitled Hawaii -12/25/2014
  • Archives

    Cameron's Twitter Feed