Tag Archives: Journalism

Doobie Brothers – Rock Magazine 1973

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The Doobie Brothers, July 15, 1973 Balboa Stadium, San Diego California. Photo by Julian Baum.

Cameron has a quick chat with The Doobie Brothers for this 1973 interview with Rock Magazine.

Nice Guys Don’t Win, But Doobies Do

Nine months ago, in a Warner/Reprise mail-out by the name of The Circular, a contest was declared. The Doobie Brothers, owners of an obscure first album, were about to finish a second and needed title for the LP. Readers were encouraged to send in their suggestions, and the winner, besides receiving credit for the verbal creation, would have his picture plastered on the album’s cover.

“We had a tough time deciding what the name of the album should be,” Tiran Porter, Doobie’s bassist reminisces. “That particular contest for the name never worked out. We had a lot of “Doobie Doo” and some clown even thought up “Dickey Doo and the Don’ts.” Needless to say, there was no winner. The album was simply called Toulouse Street after one of the album’s cuts.

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Aug 31, 2015

Stills & Young Tour – Rolling Stone 1976

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Stephen Stills and Neil Young circa 1976.

In this new addition to the site, Cameron chronicles the on again/off again Stephen Stills and Neil Young tour for this 1976 Rolling Stone piece. Happy Friday everyone…

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Quick End to a Long Run

In which Neil Young and Stephen stills find that old magic and lose it all to a sore throat

Los Angeles – Forget the balding pate and those wisps of gray. Stephen Stills and Neil Young, their hair cut summer-short, looked eerily like they did on the cover of Buffalo Springfield Again. But gone, at least temporarily, was the carefree abandon of those days. This was serious business.

The scheduled three-month-long Stills-Young band tour had been rolling only two weeks, and while it came close to jelling in Boston just a few days before, the show still teetered on the edge of the magic that everyone knew they were capable of.

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Aug 28, 2015

Bob Marley – A Shower of Bullets

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Bob Marley, Santa Monica, 1979. Photo by Neal Preston.

In this piece from the archives, Cameron reports on the shooting of Bob Marley in a Rolling Stone story from January, 1977. Miraculously, Marley played a festival in Jamaica just days later.

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Bob Marley: the shooting of a Wailer

Los Angeles – Bob Marley, one of the world’s best-known reggae performers, and three other persons were shot December 3rd when seven gunmen burst onto the grounds of Marley’s home in Kingston, Jamaica, where he and his band, the Wailers, were rehearsing. Miraculously, amid a shower of bullets, there were no fatalities.

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Jul 22, 2015

Happy Birthday Linda Ronstadt!

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We want to wish Linda Ronstadt a very happy birthday today. Let’s celebrate with a look back at her December 2, 1976 Rolling Stone cover story with Cameron.  Pictures were taken by the amazing Annie Leibovitz.

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Linda Ronstadt: The Million-Dollar Woman

LOS ANGELES- “Miss Ronstadt’s line is busy. You’ll have to wait. I gotta check you.” The beefy guard at the front gate of Malibu Colony waits and dials again. Still busy.

Twenty minutes later, the guard gives up and waves me through. “You could be here all day,” he cracks mirthlessly. “But listen . . . if I don’t hear from her within five minutes” . . . he pauses for effect . . . “you’ll meet the sheriffs. You don’t want to meet the sheriffs.”

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Jul 15, 2015

Archives: Marshall Tucker Band- Circular 1974

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A new addition to the Journalism archives today as Cameron chats with The Marshall Tucker Band for the February, 1974 issue of Circular magazine…

The Marshall Tucker Band Is Helping Make the World Safe for Southern Bands

A New Life From the Pride of Spartanburg, South Carolina

Quite simply, A New Life is as fine an album as any band could hope to have under its belt. The Marshall Tucker Band, on the heels of a solid year of extensive roadwork, has come up with the quintessential follow-up to its a superb debut album of last year.

“The material is really great,” says the man who should know, composer-guitarist Toy Caldwell. “It represents more of what the band sounds like today. We’ve gotten a bit more polished with all the touring we’ve done in the time between this album and the first one. The musicianship is better and the tunes are much more suited to the stage.”

Like The Allman Brothers Band before them, The Marshall Tucker Band has managed to overcome major obstacles in achieving its notoriety as one of the South’s biggest groups.

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May 7, 2015

David Bowie – Creem Magazine ’76

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Happy Friday. Here’s a new addition to the site today, Cameron’s interview with David Bowie from the May, 1976 issue of Creem magazine. We hope you like it.!

Space Face Changes The Station

David Bowie Pulls A Lazarus

Andy Kent is one of the most important freelance photographers in the music business. At 28, his well matched wardrobe, trimmed hair and full beard give the look of a successful young businessman. Which he is.

Yet, after six years of shooting almost every L.A. concert, Andy’s motivation has long since transcended fandom. It is now a job. He and his partner Neal usually flip coins over who has to shoot a local performance. The winner gets to stay home.

It’s been two weeks since the beginning of David Bowie’s 1976 worldwide concert blitz, of which Andy Kent is official tour photographer. These days, he is a changed man. Gone is the apathy of someone who has seen a loud rock and roll band a few hundred times too many. Now Andy feverishly scans the radio for Bowie records. He speaks constantly of the man’s genius. He arrives at Bowie’s show hours before they begin. He helps the band choose their on-stage attire. He discusses and critiques the set every night with Bowie. Andy feels important. “I told David the other night,” he reports, “that I haven’t worked this hard in years. I really feed off his energy.”

Andy Kent is only one of a thirty-nine person entourage that is powered by the same blind devotion to David Bowie. It is not hard to become totally drawn in by the man – he has a special talent for making all those around him feel as if they are, indeed, most crucial to his vision. Yet, in the end, Bowie has them all on salary. Ever since his costly (millions were lost) split with ex-manager Tony De Fries, he manages and owns himself entirely.

This is Bowie’s first tour since that incident. Likewise, the current stage show is a virtual one-man tour de force. There are no sets, costumes, glitter or dancers. For the first time in years, it’s just David.

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Apr 17, 2015

Archives: Stills & Young

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longmayyourun

Things have been pretty quiet around here, but we thought you might like this 1976 Rolling Stone story that Cameron wrote about the Stills & Young tour. More soon, so please stay tuned.

Quick End to a Long Run

In which Neil Young and Stephen stills find that old magic and lose it all to a sore throat

Los Angeles – Forget the balding pate and those wisps of gray. Stephen Stills and Neil Young, their hair cut summer-short, looked eerily like they did on the cover of Buffalo Springfield Again. But gone, at least temporarily, was the carefree abandon of those days. This was serious business.

The scheduled three-month-long Stills-Young band tour had been rolling only two weeks, and while it came close to jelling in Boston just a few days before, the show still teetered on the edge of the magic that everyone knew they were capable of.

Even before they broke into their opener, “Love the One You’re With,” the sold-out crowd of 20,000 at the Capitol Center exploded at the sight of Stills and Young on the same stage again. And this, the summer of Aerosmith and ZZ Top, it was nothing short of astonishing to see the sustained drawing power of two artists who have not seen a solo hit single or gold album in years.

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Sep 17, 2014

Faces Come Back to Life

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The Faces (1973). Pictured clockwise from left to right: Rod Stewart, Ian McLagan, Ronnie Lane, Ronnie Wood and Kenney Jones. Courtesy of WireImage

As Summer winds down, we thought you might be interested in a new Journalism addition to the site today. Cameron talks with The Faces for this 1973 interview with Circular magazine.  Cameron interviewing Rod Stewart between blow drying his hair creates quite a visual. Enjoy…

Faces Come Back to Life

Chasing Faces Through the Showers. Double Album, maybe.

It was originally due out in September, this notorious Rod Stewart/faces live double album. Recorded earlier this year at Philadelphia’s Spectrum and Chicago’s Amphitheatre, the package would have been the quintessential back-to-school item. But alas, it is now wintertime and the album has vanished from imminence.

“Two for tea,” cracks Ian McLagen while surveying the setting for his interview – backstage at the San Diego Sports Arena. The Faces have just encored, leaving behind 16,000 fans in a state of euphoria and turning a few jaded heads as well. The dressing room is predictably loud and hectic. McLagen is sitting on metal chairs and shower stalls down the hall. Every word promptly reverberates within tiled walls.

“The live album will be totally redone,” reveals McLagen. “We’re recording both Anaheims (the next night’s two shows at the Anaheim Convention Center) and the Palladium.” Pause. “I can’t hear at all. My ears are gone.” McLagen punctuates the statement by thrusting a finger into one of his blocked ears and jiggling wildly.

On that note, Connie De Nave, Faces’ publicist, enters. “Rod’s ready to talk,” she declares, leading the way to yet another dubious interview site: the john. Here Rod Stewart has a few moments to talk while he blow-dries his famous hair. “Me here is like a fookin’ lawn,” he mumbles amid the clamor of his hand dryer. “Got to sow it and mow it.”

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Aug 26, 2014


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