Tag Archives: Cameron Crowe

New Extended Roadies Trailer

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Here’s our first extended look at Roadies. The song featured here is “San Francisco” by The Mowglis. Cameron directs the first three episodes of the series and we thought you might like the titles.

  • Episode 1: Life is a Carnival
  • Episode 2: What Would Phil Do
  • Episode 3: The Bryce Newman Letter

Roadies debuts on Showtime on June 26th.

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May 26, 2016

Jerry Maguire Mission Statement

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ThingsWeThink

As we inch closer to Jerry Maguire‘s 20th Anniversary, I thought you might want to read Cameron’s original Mission Statement (that is only briefly featured in the film). Here’s the entire 25 pages penned by Cameron. Happy Monday!

THE THINGS WE THINK AND DO NOT SAY

Thoughts of a Sports Attorney

Miami Hilton, 1 AM

It’s 1 AM and this might be the bad pizza I had earlier talking, but I believe I have something to say. Or rather, I have something to say that I believe in. My father once said, “Get the bad news over with first. You be the one to say the tough stuff. Well, here goes. There is a cruel wind blowing through our business. We all feel it, and if we don’t, perhaps we’ve forgotten how to feel. But here is the truth. We are less ourselves than we were when we started this organization.

Sports Management International began as a small company. I was hired by Jack Scully in 1981, I was fresh out of college, I didn’t even watch much sports. But a young man came to me, and his name was Bill Apodaca. He asked me to look at a contract he’d acquired to play football for the Atlanta Falcons. Before long I was overseeing the business of another member of the Falcons, and two baseball players. The nuances and the small miracles of professional sports would soon hook me — there was something simple and perfect about the way a stadium felt. The way vou felt when a player you’d helped and represented made his stand in front of 54,000 people. And I remember the conversation Mr. Scully and I had by an elevator, standing next to one of those sand-filled ashtray posts, right before he hired me as one of the first agents in this company. “You and I are blessed, he said, “we do something that we love.”

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Apr 25, 2016

San Diego Door Mini Reviews: Bob Weir, Sutherland Brothers Band & More

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Cameron does four mini album reviews from the June 22, 1972 issue of the San Diego Door. These are brand new to the Journalism section! Sorry for the delay in posts, Roadies is in full swing. I’ll try and post things more regularly. Thanks for your patience and stay tuned!

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Apr 7, 2016

Neil Young Movie Double Feature + Q&A with Cameron

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Neil Young will be hosting a one night only double feature screening of Human Highway and Rust Never Sleeps on Monday, February 29th. An Evening with Neil Young will include a Live Q & A moderated by Cameron that will be streamed in theaters across the country. Tickets are available over at Fathom Events’ Official Site.

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Feb 24, 2016

James Taylor: Mr. Homebody

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We are pleased to share a new addition to the Journalism section today. Cameron did this interview with James Taylor for the L.A. Times circa August, 1976. We hope you like it!
James Taylor: Just a Homebody Who Finds No Warmth in the Spotlight

The young man edged closer and stared for a moment to make sure the lanky figure in the corner of the restaurant was indeed James Taylor. The man then tore a soiled bandage from his own forehead and began shrieking that Taylor had just miraculously healed him.Within seconds, the other customers in the restaurant were gawking at the shy singer-songwriter. Taylor sighed quietly and buried his head in his hands. All he had wanted was a burger.

 

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Feb 10, 2016

Glenn Frey Tribute

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Eagles (November, 1972) (L-R) Frey, Meisner, Henley & Leadon. Photo by Gary Elam.

Cameron shared his thoughts with Rolling Stone in a new tribute to late Glenn Frey. We will share an excerpt below, but please check out Rolling Stone for the entire story.

It was 1972, and “Take It Easy” was still on the charts. The Eagles came to San Diego, and I was working for a small local underground paper.   I grabbed my photographer buddy Gary from high-school and made a plan. We were going to sneak backstage and grab an interview with this new group. I loved their harmonies, and the confident style that charged their first hit-single.

Glenn Frey introduced the band. “We’re the Eagles from Southern California.”

They were explosive, right off the top, opening with their acapella rendition of “Seven Bridges Road.” Then, with utter confidence, this new band, filled with piss and vinegar, launched immediately into their hit.   There was nothing “laid-back,” about them.   No “saving the hit for last.” This was a band with confidence. They were a lean-and-mean American group, strong on vocals and stronger on attitude. Gary and I talked our way backstage with ease, found the band’s road-manager, and he threw us all into a small dressing room where drummer-singer Don Henley, bassist Randy Meisner, and guitarist Bernie Leadon took us through the story of the band.   Every other sentence began with “And then Glenn… “ Glenn Frey was the only guy not in the room.

After about a half-hour, the door whipped open and Frey walked in. He had a Detroit swagger, a memorable drawl and a patter like a baseball player who’d just been called up to the majors. He was part musician, part tactician and part stand-up comic. It was immediately obvious, Glenn had his eye on the big picture. He’d studied other bands, and how they broke up or went creatively dry. He had a plan laid out.   He even used that first interview to promote his friends – Jackson Browne, John David Souther , Ned Doheny and San Diego songwriter Jack Tempchin.   His laugh and demeanor was infectious. Immediately, you wanted to be in his club.   At the end of the interview, I asked them all to pose together. The photo is one of my favorites. It captures one of their earliest, happiest, freest moments… a band that would later brawl memorably, was giddy and happy that night, arms wrapped around each other. Glenn’s look is priceless – this is my band, and we’re on our way.

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Jan 25, 2016

Jann Wenner – Happy Birthday!

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Twenty-year-old Jann S. Wenner in the original San Francisco office, 1967. Photograph by Baron Wolman. Courtesy of Jann’s website.

Jann Wenner turns 70 years young today. All of us here at The Uncool/Vinyl Films want to wish him the very best. Here’s the Rock & Roll Hall of Fame piece that Cameron wrote back when Jann was inducted in 2004.

Rock & Roll Hall of Fame Nineteenth Annual Induction

There are some who say rock & roll, at its very core, is a temporary form. Even the earliest days of rock & roll, it was all folly, right? Passionate and cheeky melodies meant to be heard crackling over a car radio, a souvenir of a night spent dancing or making out. Every real musician or fan knew, though, that rock & roll was much deeper than that. Rock & roll was code, and just under the surface was the promise of rebellion, of a life beyond what your parents could understand. It was a secret world to smuggle into your home, shut your door and get lost in.

It took a fleet of guitarists and pianists to put that secret world together, but one man realized rock & roll needed a diary and a journal. In 1967, with borrowed money and the support of a veteran jazz journalist named Ralph J. Gleason, a twenty-year-old dropout from UC Berkeley put together a folded paper, a publication that lent a tiny bit of permanence to all that timelessly “disposable” art. And on that day, Jann Wenner took the first step on the famously long, strange trip that would lead him to the Rock and Roll Hall of Fame.

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Jan 7, 2016

EW’s First Look at Roadies

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Luke Wilson and Carla Gugino. Photo by Katie Yu and courtesy of Showtime.

Roadies is featured in Entertainment Weekly‘s latest “First Look” issue. The preview includes a Q & A with Cameron. Here’s an excerpt, for the entire article, check out the story over at EW. 

Roadies

Almost Famous writer-director Cameron Crowe is going behind the music again – this time with a TV series starring Luke Wilson, Carla Gugino, and Imogen Poots as the support staff for a touring rock band.

In Almost Famous you shined a spotlight on a kid coming of age on the road, following around a rising band. Now you’re shining the spotlight on the people who shine the spotlights on the band. What intrigued you about that side of the business?

I hadn’t seen their stories told….I always used to see these pictures – or when we’d film something – where Elton John would come down the hallway of the Forum on his way to the stage, and some poor [stagehand] would be moving a cart, and he’d see the camera and Elton coming and he’d be like [mimics someone trying to get out of the frame]. The camera would just move past him, and I was like, No – let’s do the show where the camera’s on this guy that’s against the wall. Let Elton John go. We want to know his world. That’s kind of the show.

How long have you had the idea for Roadies?

It happened about eight years ago. J.J. [Abrams, an exec producer alongside My So-Called Life creator Winnie Holtzman and Crowe] and I both came up at the same time working with Jim Brooks, so we became friends. And then one time we just started pitching. He said, “I went to this show, and I looked up, and I saw this girl on a rigging tower, and I just wondered, “What is her world like?” And I was like, “Well, I’ll tell you what her world is like,” and he’s like, “You know, this is your show.” I said, “Wow, okay.” We never see the band, we never hear the band. It’s about the people. It’s about that girl and those people that disappear when the lights go down.”

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J.J. Abrams, Luke Wilson and Cameron on the set of Roadies. Photo by Katie Yu and courtesy of Showtime.

Courtesy of Entertainment Weekly – Dan Snierson – January 8/15, 2016

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Jan 5, 2016


  • Roadies - Now!
  • Elizabethtown- Netflix - Now!
  • Almost Famous- Netflix - Now!