Tag Archives: Cameron Crowe

Archives: Stills & Young

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longmayyourun

Things have been pretty quiet around here, but we thought you might like this 1976 Rolling Stone story that Cameron wrote about the Stills & Young tour. More soon, so please stay tuned.

Quick End to a Long Run

In which Neil Young and Stephen stills find that old magic and lose it all to a sore throat

Los Angeles – Forget the balding pate and those wisps of gray. Stephen Stills and Neil Young, their hair cut summer-short, looked eerily like they did on the cover of Buffalo Springfield Again. But gone, at least temporarily, was the carefree abandon of those days. This was serious business.

The scheduled three-month-long Stills-Young band tour had been rolling only two weeks, and while it came close to jelling in Boston just a few days before, the show still teetered on the edge of the magic that everyone knew they were capable of.

Even before they broke into their opener, “Love the One You’re With,” the sold-out crowd of 20,000 at the Capitol Center exploded at the sight of Stills and Young on the same stage again. And this, the summer of Aerosmith and ZZ Top, it was nothing short of astonishing to see the sustained drawing power of two artists who have not seen a solo hit single or gold album in years.

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Sep 17, 2014

Faces Come Back to Life

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The Faces (1973). Pictured clockwise from left to right: Rod Stewart, Ian McLagan, Ronnie Lane, Ronnie Wood and Kenney Jones. Courtesy of WireImage

As Summer winds down, we thought you might be interested in a new Journalism addition to the site today. Cameron talks with The Faces for this 1973 interview with Circular magazine.  Cameron interviewing Rod Stewart between blow drying his hair creates quite a visual. Enjoy…

Faces Come Back to Life

Chasing Faces Through the Showers. Double Album, maybe.

It was originally due out in September, this notorious Rod Stewart/faces live double album. Recorded earlier this year at Philadelphia’s Spectrum and Chicago’s Amphitheatre, the package would have been the quintessential back-to-school item. But alas, it is now wintertime and the album has vanished from imminence.

“Two for tea,” cracks Ian McLagen while surveying the setting for his interview – backstage at the San Diego Sports Arena. The Faces have just encored, leaving behind 16,000 fans in a state of euphoria and turning a few jaded heads as well. The dressing room is predictably loud and hectic. McLagen is sitting on metal chairs and shower stalls down the hall. Every word promptly reverberates within tiled walls.

“The live album will be totally redone,” reveals McLagen. “We’re recording both Anaheims (the next night’s two shows at the Anaheim Convention Center) and the Palladium.” Pause. “I can’t hear at all. My ears are gone.” McLagen punctuates the statement by thrusting a finger into one of his blocked ears and jiggling wildly.

On that note, Connie De Nave, Faces’ publicist, enters. “Rod’s ready to talk,” she declares, leading the way to yet another dubious interview site: the john. Here Rod Stewart has a few moments to talk while he blow-dries his famous hair. “Me here is like a fookin’ lawn,” he mumbles amid the clamor of his hand dryer. “Got to sow it and mow it.”

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Aug 26, 2014

Archives: Pearl Jam – Five Against the World

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Happy Saturday. Thought it might be fun to look back on Cameron’s Pearl Jam 1993 cover story for Rolling Stone. It was the band’s first real in-depth interview just as Vs. was making its debut. There’s an even longer version that we might share one day, but for now, check out the published version.

Five Against the World

Pearl Jam emerge from the strange daze of superstardom with a new album full of rage and warrior soul.

There are two Eddie Vedders. One is quiet, shy, barely audible when he speaks. Loving and loved in return. The other is tortured, a bitter realist, a man capable of pointing out injustice and waging that war on the home front, inside himself. On a warm and windy late-spring day in San Rafael, California, it’s easy to see which Eddie Vedder is shooting baskets outside the Site, the recording studio where Pearl Jam are finishing their second album. It is tortured Eddie, the one with the deep crease between his eyebrows.

“Your shot,” calls Jeff Ament, the group’s bassist. He bounces the ball to Vedder, who takes a long outside jumper. It rattles into the basket and rolls away. By the time Ament retrieves the ball, Vedder has already disappeared into the studio. His mind is on a new song, “Rearviewmirror.” This is the last day of recording at the Site, and the track’s fate hangs in the balance. It’s a song about suicide… but it’s too “catchy.”

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Jul 19, 2014

Happy Birthday Tom Cruise!

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Tom Cruise turns 52 today and it seems like the perfect time to honor the man with a few interviews that he did with Cameron. The first one with Interview magazine back in 1986 was his most in-depth to date. They discuss his early years, Top Gun, The Color of Money and much much more. We also recommend that you check out Cameron’s Vanity Fair interview with Tom from 2000.

Lastly, have you seen Edge of Tomorrow yet? In my humble opinion, it’s a perfect Summer movie. Very entertaining and funny too. Do check it out.  Happy Birthday Tom!

cruiseinterviewmag

Hot Shot in Top Gun

It has been three years since Tom Cruise made his starring debut as Joel Goodsen, the awakening young capitalist in Paul Brickman’s “Risky Business.” The movie was a perfect showcase for Cruise’s style – equal parts comic vulnerability and dramatic strength. When the family egg tumbled through the air at the end of “Risky Business”, audiences everywhere felt the full weight of Joel’s predicament. By the time it landed, Cruise had arrived.

Now 24, Cruise has worked steadily since that memorable turn, but due to a combination of lengthy schedules and production delays, he hasn’t been seen since 1983′s “All The Right Moves.” That hiatus is about to end. This year will see the release of three high-profile Cruise releases. First comes Ridley Scott’s long-awaited “Legend.” The summer blockbuster, “Top Gun” will hit theaters this month, and due in December is “The Color of Money,” Martin Scorsese’s sequel to “The Hustler.” Cruise stars as the pool playing protégé/nemesis of Fast Eddie – Paul Newman.

I spoke with Tom Cruise at the Columbus Dynasty Restaurant on New York’s Upper West Side. A model of manners, Cruise rarely missed an opportunity for a “sir” or “ma’am.” When our talk was over, he thanked the waitress, hoisted his backpack onto his shoulders and disappeared into a crowded subway, looking a lot like Joel Goodsen a long way from home.

Cameron Crowe: You’re someone who is associated with a lot of people’s adolescent thoughts and fantasies…

Tom Cruise: Yep, I’ve been laid just about everywhere. On the train, in the bedroom, on the stairs….[laughs]

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Jul 3, 2014

Archives: Black Sabbath – San Diego Door

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Black Sabbath – Circa 1972

Cameron interviews Black Sabbath’s one and only Ozzy Osbourne for this 1972 interview for the San Diego Door. Ozzy is at his talkative and entertaining best here, so do check it out.

Black Sabbath Interview

You mentioned a few minutes ago about how tedious is to be on the road for as long as Black Sabbath has. 

Yeah. And as soon as you go home, you’ve got to start thinking about the next tour, so you’re not getting any rest. It’s not that the physical work is so tiring, it’s the mental work. You’ve got new albums to think about. You got to worry about whether you’re overexposing yourself, whether you’re not doing enough. You’ve got all this bullshit to think about.

Y’know before we went on this tour, I had an infected throat. I had a very bad throat that I noticed three days before we came (to America for the tour), which wasn’t any fault of ours or our management because we were going through this big change-around in the business-side. We didn’t know whether to go on the tour or not. So we just came over anyway… I couldn’t work the first week. My throat gave out completely. This is… what… our seventh tour of America. Major tours, too. We all feel very, very tired. We’ve done seven tours in just over a year, now. We’ve worked so much in this country it’s driving me loopy.

Are you happy with the new album?

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May 18, 2014

Editing Untitled Hawaii: Emma Stone and Bradley Cooper Get Serious

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Editor Joe Hutshing, Gilcrest & Ng – Untitled Hawaii Editorial – March 28, 2014

Here’s the latest picture from Untitled Hawaii courtesy of Cameron. It’s editor Joe Hutshing hard at work on a scene with Bradley Cooper (Brain Gilcrest) and Emma Stone (Allison Ng). Joe has worked his magic previously on Jerry Maguire, Almost Famous and Vanilla Sky.

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May 13, 2014

Meet the Crew: Neal Preston

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Neal Preston is one of rock’s most celebrated and iconic photographers. Neal’s relationship with Cameron nearly goes back to the beginning of his illustrious career. We chatted with Neal on location in Hawaii about his career, his new iBook Led Zeppelin: Sound and Fury and much more.

When did you first meet Cameron? I know you guys worked together at Circus magazine and Rolling Stone, but had you met earlier while he was writing for the San Diego Door or Creem?

You know, I actually don’t recall the very first time we met — but I know that around the time we met he was definitely writing for the San Diego Door. I remember my girlfriend Bobbi (who was a publicist with rock p.r. agency Gershman, Gibson and Stromberg) shoving a copy of the Door in front of me, virtually demanding that I “read this kid’s stuff!! He’s only 14 years old!!!!”

Yeah, he could write, but what was far more astounding to me was that he was a really good ping pong player.  There was a ping-pong table in the rec center where he lived.  I was 5 years older than him, yet he probably beat me 80-90% of the time.  I hated losing to him, more than he ever knew.  In fact I’m still upset about it.

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Apr 22, 2014

Josh Ritter – Golden Age of Radio Liner Notes

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goldenageofradio A new addition to the site today is Cameron’s liner notes for Josh Ritter’s Golden Age of Radio reissue. Enjoy!

Nothing quite beats the power of a song that arrives perfectly. It can be the melody from a distant window, a guilty-pleasure piece of pop fluff or even the exquisitely wrong song at the wrong time. The fact is that life can be the best d.j. of them all. A song or an artist can land in your life in the most profound and mysterious ways and from that moment on that record defines an afternoon, a season, a city or a life. Such it is with Golden Age of Radio, an album that casts a spell from first note to last. Josh Ritter had already made a record before it, but Golden Age was his first as a fully-committed, this is my life and there’s no heading back recording artist. The album arrived with a suitcase full of promise, bags packed perfectly. The music has the assurance and the sly commitment of a writer capturing exactly the mood he was chasing.

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Apr 11, 2014

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