YES! Roadies has been picked up by Showtime. Stay tuned for 10 stories about life, music, love and all points in between.
Here’s a look…
Elizabethtown – 10 Years Later…
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Orlando Bloom, Kirsten and Cameron. Photo by Neal Preston. ©Paramount Pictures
“Elizabethtown” was a movie written for my father, and the Kentucky side of our family. The great cinematographer John Toll dug deep to capture the warmth of that Cicada-filled summer we spent in and around Louisville. The My Morning Jacket boys showed us the ropes, and filled the set with music and laughs. We all took our cameras and embarked on the very journey that made up the final stretch of the story. It was a moviemade with a lot of love… and I’d like to dedicate this anniversary to the fans who have found this movie over the years and reached out to say they understood it. It’s a tip of the hat to tradition, to family heroes, and to those roller-coaster summers when life shows itself in all its indelible pain and glory.
Jed Rees and Orlando Bloom. Photo by Neal Preston. ©Paramount Pictures
Ruckus plays on. Photo by Neal Preston. ©Paramount Pictures
Producer Tom Cruise visits the set. Photo by Neal Preston. ©Paramount Pictures
The Spasmotica shoe
Alec Baldwin and Orlando Bloom. Photo by Neal Preston. ©Paramount Pictures.
Legendary cinematographer John Toll sets up the funeral scene. Photo by Neal Preston. ©Paramount Pictures
Paul Schneider in Elizabethtown. Photo by Neal Preston. ©Paramount Pictures.
Judy Greer in Elizabethtown. Photo by Neal Preston. ©Paramount Pictures.
Orlando and Cameron discuss a take during the cemetery scene. Photo by Neal Preston. ©Paramount Pictures
Kirsten Dunst. Photo by Neal Preston. ©Paramount Pictures
Susan Sarandon. Photo by Neal Preston. ©Paramount Pictures
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My #1 – Pet Sounds By The Beach Boys
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Cameron shared his #1 for Rolling Stone‘s 500 Greatest Albums of All Time issue. Happy Friday!
My Number One – Pet Sounds – The Beach Boys
I was thirteen, and I wanted to buy a Jackson 5 cassette. The knowing geek behind the counter shook his head and advised me to get Pet Sounds instead. Desperate for his cool-guy validation, I bought it. It sounded weird, introverted, not that melodic. And what about that cover? Odd-looking guys dressed like Elizabethan-period accountants feeding animals at the zoo? I thought the album sucked and I stashed it in a drawer. Within a year, Linda Alvarado (not her real name) savagely broke my heart. For some fateful reason, I gave Pet Sounds another chance. Suddenly, music was more than just confection. Those strange guys feeding animals at the zoo understood; even the music sounded like I felt. When you find songs so personal that they feel like someone’s been reading your diary, you tend to study the album credits to find out who the hell wrote this stuff. And that leads you to the heartbreaking genius of Brian Wilson. Pet Sounds is the high-water mark of songwriting and production so meticulously rendered that you ache hearing these songs; they’re filled with secret cries for help disguised in baroque and candy-coated harmonies, the sound of Brian Wilson’s universe coming together and falling apart. The album was a flop in its day, unappreciated in a world addicted to Wilson’s Beach Boys hits. Just three years ago, it finally went platinum. For me, Pet Sounds is a souvenir, a masterwork, an underdog story and a record that takes you gently by the lapels and says, “Here’s what it feels like to be alive.”
Courtesy of Rolling Stone #937 – Cameron Crowe – December 11, 2003
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Led Zeppelin – Slowly Rising
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Cameron gets the scoop on Led Zeppelin’s latest album, Presence. This August, 1976 story is brand new to the site and marks our 251st article/interview in the Journalism section. Happy Monday!
Zeppelin Rising . . . Slowly
Jimmy Page tells how Led Zep turned an accident into an album: ‘We started screaming and never stopped’
Los Angeles – Had singer Robert Plant’s sedan not slammed into a tree on the Greek island of Rhodes, shattering his ankle and all the bone supporting his left leg, Led Zeppelin would surely have dwarfed all touring competition is golden rock & roll summer. But Plant, who is not one to perform from a chair, is still months away from complete recovery. Until that day, the band even Elton John calls “the world’s biggest act in music” is stilled.
Presence, Zeppelin’s seventh and latest album, remains one of the best-selling albums of the year, even without benefit of a tour, a single or even a photo of the band. A film of the band in concert, The Song Remains the Same, is set for release this fall. All this at a time when most heavy-metal heroes have either tempered their approach or died an unsuspecting death. Such is the enigma of Led Zeppelin.
Jimmy Page, the band’s guitarist and mentor, was on a working vacation in Los Angeles with Plant, drummer John “Bonzo” Bonham, manager Peter Grant and various members of Bad Company. Page was keeping a low profile. His easy pace of writing, relaxing and supervising a band called Detective, the newest act on Led Zep’s Swan Song label, was interrupted by only one nightclub visit – to the Roxy for Doctor Feelgood – and one interview.
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Chris Cornell – Higher Truth
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“…the first thing you hear needs to be kind of a cool thing.”#HigherTruth
Posted by Chris Cornell on Tuesday, September 15, 2015
Here’s a couple of clips from Cameron’s recent chat with singer/songwriter Chris Cornell to discuss his new album, Higher Truth. Don’t miss Chris on Jimmy Fallon tonight ahead of the album release tomorrow!
“That’ll fuck up the magic…so I don’t do that.”
Posted by Chris Cornell on Wednesday, September 9, 2015
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Almost Famous 15th Anniversary Celebration!
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Stillwater Cleveland Poster (Sorry, just a prop everyone!)
Can you believe it has been 15 years since Almost Famous hit theaters? While the film premiered on September 8th, 2000 at the Toronto International Film Festival, we will be celebrating its release with a bunch of fun photos (behind the scenes, Stillwater, etc.) daily for the next 10 days or so. So let’s begin and please share your memories of the film in the comments section!
backstage passes made for the film.
With Jason Lee and Billy Crudup. Photo by Neal Preston. ©Dreamworks
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The Marshall Tucker Band
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Photo ©John Gellman – jgphoto.com.
Cameron talks about the rock and roll business with the Marshall Tucker Band for this 1974 Rolling Stone interview. Happy Tuesday everyone…
Marshall Tucker: The South Also Rises
Atlanta, GA – It’s Friday night and Richard’s, the lively hotspot of Atlanta’s rock-club scene, is jumping. Onstage, a local favorite is grinding out rock raucous blue standards. The dance floor is an euphoric mass of squirming young bodies.
Welcome to the great lost teenage innocence. David Bowie may set the coasts afire with his 36 costume changes and the New York Dolls can mincingly sing of decadent trauma, but for this typically well-scrubbed Southern crowd, “drag” is when you’ve waited too long to buy your Allman Brothers tickets.
“That glitter shit,” drawls one sweat-drenched regular, “is for the people that don’t care about the music, dontcha think? Here in the South we got our own bands who don’t need any of those…gimmicks. Like Lynyrd Skynyrd or the Marshall Tucker Band or, acourse, the Brothers. Man, they just get out there and fuckin’ play.”
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Meet the Crew: Scott Robertson – 1st Assistant Director
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Aloha 1st AD Scott Robertson surveys the scene from a unique vantage point. Picture courtesy of Andy Fischer. © 2015 The Uncool.
Scott Robertson has been working in the film industry for more than 25 years. He’s worked on a great mix of comedies (Superbad, I Love You Man, Eastbound & Down) and dramas (Moneyball, Foxcatcher, Zero Dark Thirty). In addition to Aloha, Scott’s work will also be seen in Alejandro González Iñárritu’s The Revenant starring Tom Hardy and Leonardo DiCaprio.
You’ve had a long film career dating back to 1991. Tell us how you broke into the business?
I was working in a record/video store called Music Plus in Hollywood. This was 1989 and I was 20 years old. Back then directors/producers and assistants would come in and rent movies so that they could reference other films while shooting or editing their own movies. Well before YouTube. Anyway, one of my usual customers came in and asked me what I wanted to do with my life. Asked me if I would be willing to work long hours with no pay. I jumped at the chance. I was given an 8:00am call time the next day at 20th Century Fox. The job was a movie called The Abyss and I was hired to be a film runner. Eventually I found myself working as Jim Cameron’s second assistant. That’s a whole other story.
How do you see the role of a 1st AD on the film set?
To support the director and the film. Every director and movie is different. I find myself taking on whatever role best fits both.
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